00:03 - 00:07
They both recite this verse to emphasize the beginnings for both of them; the pause emphasizes this beginnnng as well
00:08 - 00:10
Pause and high pitch of voice adds to the naiveness that youth believe what love to be, setting the expectations
00:11 - 00:27
Defines "love" as being a person when used in this poem; personification
00:34 - 00:35
Said together to emphasize similar expectations to how love would "be like"
00:44 - 00:46
Said together to mark the timeline of this love story; their first meeting
00:58 - 01:00
Having the same thoughts of expectations not meeting the fantasy
01:04 - 01:05
Pause to micmic a teen attempting to lie
01:06 - 01:07
Audience laughing as this is a relatable moment for almost everyone
01:15 - 01:23
Sarah changing her voice to a low growl tone and Phils heavy nervous breathing is an amazing way to portray nervousness inexplicitly we call this identification in voice: acousmatic voice; Phils adlibs weren't in the lyrics of the poem
01:28 - 01:30
Realization that her "love" is no longer in her life
01:33 - 01:35
This verse is a relatable and profound feeling many experienced and is quoted most often and is actually how I found this poem
01:44 - 01:46
Said together - when there are versus Sarah and Phil say together it is referencing the notion that they share similar feelings or thoughts
01:51 - 01:52
Said together but for performance; Phil says "her" with Sarah and emphasizes the sudden moment walking somewhere in the world and seeing someone whom you used to have relations with
02:03 - 02:06
Pause is portraying the moment of realization Sarah has: she is no longer the only love Phil has had in his life, there were others
02:10 - 02:11
Said together; similar thinking, on the same wave length
02:15 - 02:23
Their voices sound gentle and soft portraying the loss of a past love that may be reigniting now ; "Love" is repeated to emphasize the personification of "love" and his/her habits
02:30 - 02:37
The speakers voices become increasingly irritable towards eachother with the change of tone portraying the change from admiration to annoyance
02:38 - 02:40
The word "boobs" was amplified and longer duration to highlight Sarah's annoyance and emphasize her distaste for Phil's "immaturity"
02:46 - 02:47
"Love shits!" was amplified for shock value (as it was shocking for the two to know this new information)
02:48 - 02:49
Laughter from the audience adds to the lightheartedness and relatability many found with the preceding verse
02:50 - 02:54
The realization; another point of change within Sarah's point of view
02:55 - 02:56
Phil interjects Sarah's line to emphasize how much he "means it"; how much he means when he compliments her beauty
02:58 - 03:05
repetition to emphasize how important this term is to Sarah to further point at how many rely on their partners validation (even unconciously) on their appearances
03:08 - 03:14
"love thinks.." diverting the audiences expectation from Phil to Sarah; learning to view yourself as beautiful without reliance on your partner, a lesson many can learn from
03:18 - 03:23
A concluding verse to this implicit message of loving yourself, a reminder many need once in awhile
03:30 - 03:32
"India" is not in the official poem script, but was added for the performance to emphasize the unpredictable nature of where and when you may encounter "love"
03:33 - 03:46
Throughout the poem, the versus have similarly repeated beginnings, spoken in the same tempo; These versus begin with a "Maybe"
03:53 - 03:57
Their voices slowly begin to sound weaker, vulnerable, tired to portray the exhaustion of fixing something that is already beyond repair (the end of the relationship)
03:58 - 03:59
A pause after this verse highlighting the anguish of love being impermanent; acceptance settling in on both Sarah and Phil; this part of the poem mimics a conversation between the two with one desparate to leave and the other hanging on, begging for them to stay
04:00 - 04:01
Said together; as both have come to an acceptance that they must end their relationship
04:10 - 04:13
Said together, allowing themselves to open up to other opportunities and potental partners
04:23 - 04:27
A concluding verse to end both the poem and relationship; accepting that your expectations of how "love" is supposed to be will not always follow through, and that is alright.
Kay, Sarah. "When Love Arrives"