Out of the Cage - Michael McClure and Ghost Tantras
03:39
I'm going to read a couple of poems in Beast Language which are actually from the early '60s and not the '50s, and then we're going to take a break—ten minutes or so.
04:00
Whan that Aprill with his shoures soote The droghte of March hath perced to the roote, And bathed every veyne in switch licour Of which vertu
04:09
That's Chaucer actually.
04:15
It makes a nice introduction.
04:21
I LOVE TO THINK OF THE RED PURPLE ROSE
04:25
IN THE DARKNESS COOLED BY THE NIGHT
04:28
We are served by machines making satins of sounds.
04:33
Each blot of sound is a bud or a stahr.
04:39
Body eats bouquets of the ear's vista.
04:42
Gahhhrrr booody eyes eers noze deem thou.
04:50
NOH. NAH-OHH
04:52
hrooor. VOOOR-NAH! GAHROOOOO ME.
04:58
Nah droooooh seerch. NAH THEE!
05:01
The machines are too dull when we are lion poems that move & breathe.
05:08
WHAN WE GROOOOOOOOOOOOOOR hann dree
05:13
myketoth sharoo sreee thah noh deeeeeemed ez.
05:19
Whan. eeeethoooze hrohh.
05:32
I was always afraid to recite this other one. Although I knew it by heart, I was afraid to recite it because I thought I might not be able to stop.
05:40
It's very mantric. And I thought I'd be giving a reading and they'll carry me away at the end. I'll still be going Grahhr! Grahhr!
05:48
So, recently I was in one of John Lilly's isolation tanks and I thought, what a perfect time to do this thing I've always been afraid to do.
05:58
What difference would it make here? So I did, and I did know it by heart, but I think I'll read it here anyway.
06:04
SILENCE THE EYES! BECALM THE SENSES!
06:10
Drive drooor from the fresh repugnance,
06:16
thou whole, thou feeling creature.
06:19
Live not for others but affect thyself
06:23
from thy enhanced interior--believing what thou carry.
06:28
Thy trillionic multitude of grahh, vhooshes, and silences.
06:34
Oh you are heavier and dimmer than you knew
06:38
and more solid and full of pleasure.
06:40
Grahhr! Grahhhr! Ghrahhhrrr! Ghrahhr! Grahhrrr.
06:48
Grahhrr-grahhhrr! Grahhr. Gahrahhrr Ghrahhhrrrr.
06:56
Ghrarrrr. Ghrahhr! Ghrarrrrr. Gharrrr. Grahhrr.
07:04
Ghrahhrr. Ghrahr. Grahhr. Grahharrr. Grahhrr.
07:12
Grahhhhr. Grahhhr. Gahar. Ghrahhr. Grahhr. Grahhr.
07:23
Ghrahhr. Grahhhr. Grahhr. Gratharrr! Grahhr.
07:32
Ghrahrr. Ghraaaaaaahrr. Grhar. Ghhrarrr! Grahhrr.
07:41
Ghrahrr. Gharr! Ghrahhhhr. Grahhrr. Ghraherrr.
Out of the Cage
03:39 - 03:55
I'm going to read a couple of poems in Beast Language which are actually from the early '60s and not the '50s, and then we're going to take a break—ten minutes or so.
04:00 - 04:09
Whan that Aprill with his shoures soote The droghte of March hath perced to the roote, And bathed every veyne in switch licour Of which vertu
04:09 - 04:11
That's Chaucer actually.
04:15 - 04:17
It makes a nice introduction.
04:21 - 04:25
I LOVE TO THINK OF THE RED PURPLE ROSE
04:25 - 04:28
IN THE DARKNESS COOLED BY THE NIGHT
04:28 - 04:33
We are served by machines making satins of sounds.
04:33 - 04:39
Each blot of sound is a bud or a stahr.
04:39 - 04:42
Body eats bouquets of the ear's vista.
04:42 - 04:50
Gahhhrrr booody eyes eers noze deem thou.
04:50 - 04:52
NOH. NAH-OHH
04:52 - 04:58
hrooor. VOOOR-NAH! GAHROOOOO ME.
04:58 - 05:01
Nah droooooh seerch. NAH THEE!
05:01 - 05:08
The machines are too dull when we are lion poems that move & breathe.
05:08 - 05:13
WHAN WE GROOOOOOOOOOOOOOR hann dree
05:13 - 05:19
myketoth sharoo sreee thah noh deeeeeemed ez.
05:19 - 05:21
Whan. eeeethoooze hrohh.
05:32 - 05:38
I was always afraid to recite this other one. Although I knew it by heart, I was afraid to recite it because I thought I might not be able to stop.
05:40 - 05:47
It's very mantric. And I thought I'd be giving a reading and they'll carry me away at the end. I'll still be going Grahhr! Grahhr!
05:48 - 05:57
So, recently I was in one of John Lilly's isolation tanks and I thought, what a perfect time to do this thing I've always been afraid to do.
05:58 - 06:03
What difference would it make here? So I did, and I did know it by heart, but I think I'll read it here anyway.
06:04 - 06:10
SILENCE THE EYES! BECALM THE SENSES!
06:10 - 06:16
Drive drooor from the fresh repugnance,
06:16 - 06:19
thou whole, thou feeling creature.
06:19 - 06:23
Live not for others but affect thyself
06:23 - 06:28
from thy enhanced interior--believing what thou carry.
06:28 - 06:34
Thy trillionic multitude of grahh, vhooshes, and silences.
06:34 - 06:38
Oh you are heavier and dimmer than you knew
06:38 - 06:40
and more solid and full of pleasure.
06:40 - 06:48
Grahhr! Grahhhr! Ghrahhhrrr! Ghrahhr! Grahhrrr.
06:48 - 06:56
Grahhrr-grahhhrr! Grahhr. Gahrahhrr Ghrahhhrrrr.
06:56 - 07:04
Ghrarrrr. Ghrahhr! Ghrarrrrr. Gharrrr. Grahhrr.
07:04 - 07:12
Ghrahhrr. Ghrahr. Grahhr. Grahharrr. Grahhrr.
07:12 - 07:23
Grahhhhr. Grahhhr. Gahar. Ghrahhr. Grahhr. Grahhr.
07:23 - 07:32
Ghrahhr. Grahhhr. Grahhr. Gratharrr! Grahhr.
07:32 - 07:41
Ghrahrr. Ghraaaaaaahrr. Grhar. Ghhrarrr! Grahhrr.
07:41 - 07:50
Ghrahrr. Gharr! Ghrahhhhr. Grahhrr. Ghraherrr.