Out of the Cage - Michael McClure and Ghost Tantras
58:42
I'm going to read a couple of poems in Beast Language which are actually from the early '60s and not the '50s, and then we're going to take a break—ten minutes or so.
58:58
Whan that Aprill with his shoures soote The droghte of March hath perced to the roote, And bathed every veyne in switch licour Of which vertu
59:07
That's Chaucer actually.
59:10
It makes a nice introduction.
59:20
I LOVE TO THINK OF THE RED PURPLE ROSE
59:24
IN THE DARKNESS COOLED BY THE NIGHT
59:27
We are served by machines making satins of sounds.
59:32
Each blot of sound is a bud or a stahr.
59:37
Body eats bouquets of the ear's vista.
59:41
Gahhhrrr booody eyes eers noze deem thou.
59:49
NOH. NAH-OHH
59:51
hrooor. VOOOR-NAH! GAHROOOOO ME.
59:57
Nah droooooh seerch. NAH THEE!
1:00:00
The machines are too dull when we are lion poems that move & breathe.
1:00:06
WHAN WE GROOOOOOOOOOOOOOR hann dree
1:00:12
myketoth sharoo sreee thah noh deeeeeemed ez.
1:00:17
Whan. eeeethoooze hrohh.
1:00:30
I was always afraid to recite this other one. Although I knew it by heart, I was afraid to recite it because I thought I might not be able to stop.
1:00:38
It's very mantric. And I thought I'd be giving a reading and they'll carry me away at the end. I'll still be going Grahhr! Grahhr! [Audience laughter] So,
1:00:48
recently I was in one of John Lilly's isolation tanks and I thought, what a perfect time to do this thing I've always been afraid to do. [Audience laughs] What difference would it make here? So I did, and I did know it by heart, but I think I'll read it here anyway.
1:01:03
SILENCE THE EYES! BECALM THE SENSES!
1:01:09
Drive drooor from the fresh repugnance,
1:01:14
thou whole, thou feeling creature.
1:01:18
Live not for others but affect thyself
1:01:22
from thy enhanced interior--believing what thou carry.
1:01:26
Thy trillionic multitude of grahh, vhooshes, and silences.
1:01:32
Oh you are heavier and dimmer than you knew
1:01:36
and more solid and full of pleasure.
1:01:38
Grahhr! Grahhhr! Ghrahhhrrr! Ghrahhr! Grahhrrr.
1:01:47
Grahhrr-grahhhrr! Grahhr. Gahrahhrr Ghrahhhrrrr.
1:01:55
Ghrarrrr. Ghrahhr! Ghrarrrrr. Gharrrr. Grahhrr.
1:02:03
Ghrahhrr. Ghrahr. Grahhr. Grahharrr. Grahhrr.
1:02:10
Grahhhhr. Grahhhr. Gahar. Ghrahhr. Grahhr. Grahhr.
1:02:21
Ghrahhr. Grahhhr. Grahhr. Gratharrr! Grahhr.
1:02:30
Ghrahrr. Ghraaaaaaahrr. Grhar. Ghhrarrr! Grahhrr.
1:02:39
Ghrahrr. Gharr! Ghrahhhhr. Grahhrr. Ghraherrr.
Out of the Cage
58:42 - 58:53
I'm going to read a couple of poems in Beast Language which are actually from the early '60s and not the '50s, and then we're going to take a break—ten minutes or so.
58:58 - 59:07
Whan that Aprill with his shoures soote The droghte of March hath perced to the roote, And bathed every veyne in switch licour Of which vertu
59:07 - 59:08
That's Chaucer actually.
59:10 - 59:14
It makes a nice introduction.
59:20 - 59:23
I LOVE TO THINK OF THE RED PURPLE ROSE
59:24 - 59:26
IN THE DARKNESS COOLED BY THE NIGHT
59:27 - 59:31
We are served by machines making satins of sounds.
59:32 - 59:36
Each blot of sound is a bud or a stahr.
59:37 - 59:40
Body eats bouquets of the ear's vista.
59:41 - 59:48
Gahhhrrr booody eyes eers noze deem thou.
59:49 - 59:51
NOH. NAH-OHH
59:51 - 59:56
hrooor. VOOOR-NAH! GAHROOOOO ME.
59:57 - 1:00:00
Nah droooooh seerch. NAH THEE!
1:00:00 - 1:00:06
The machines are too dull when we are lion poems that move & breathe.
1:00:06 - 1:00:12
WHAN WE GROOOOOOOOOOOOOOR hann dree
1:00:12 - 1:00:17
myketoth sharoo sreee thah noh deeeeeemed ez.
1:00:17 - 1:00:19
Whan. eeeethoooze hrohh.
1:00:30 - 1:00:36
I was always afraid to recite this other one. Although I knew it by heart, I was afraid to recite it because I thought I might not be able to stop.
1:00:38 - 1:00:47
It's very mantric. And I thought I'd be giving a reading and they'll carry me away at the end. I'll still be going Grahhr! Grahhr! [Audience laughter] So,
1:00:48 - 1:01:01
recently I was in one of John Lilly's isolation tanks and I thought, what a perfect time to do this thing I've always been afraid to do. [Audience laughs] What difference would it make here? So I did, and I did know it by heart, but I think I'll read it here anyway.
1:01:03 - 1:01:08
SILENCE THE EYES! BECALM THE SENSES!
1:01:09 - 1:01:14
Drive drooor from the fresh repugnance,
1:01:14 - 1:01:17
thou whole, thou feeling creature.
1:01:18 - 1:01:21
Live not for others but affect thyself
1:01:22 - 1:01:26
from thy enhanced interior--believing what thou carry.
1:01:26 - 1:01:32
Thy trillionic multitude of grahh, vhooshes, and silences.
1:01:32 - 1:01:36
Oh you are heavier and dimmer than you knew
1:01:36 - 1:01:38
and more solid and full of pleasure.
1:01:38 - 1:01:47
Grahhr! Grahhhr! Ghrahhhrrr! Ghrahhr! Grahhrrr.
1:01:47 - 1:01:54
Grahhrr-grahhhrr! Grahhr. Gahrahhrr Ghrahhhrrrr.
1:01:55 - 1:02:03
Ghrarrrr. Ghrahhr! Ghrarrrrr. Gharrrr. Grahhrr.
1:02:03 - 1:02:10
Ghrahhrr. Ghrahr. Grahhr. Grahharrr. Grahhrr.
1:02:10 - 1:02:21
Grahhhhr. Grahhhr. Gahar. Ghrahhr. Grahhr. Grahhr.
1:02:21 - 1:02:30
Ghrahhr. Grahhhr. Grahhr. Gratharrr! Grahhr.
1:02:30 - 1:02:39
Ghrahrr. Ghraaaaaaahrr. Grhar. Ghhrarrr! Grahhrr.
1:02:39 - 1:02:47
Ghrahrr. Gharr! Ghrahhhhr. Grahhrr. Ghraherrr.