Episode 126: Participatory Democracy from the Sixties to Today
02:28
"Port Huron Revisited."
02:32
"We are people of this generation, housed now in, we are people of this generation, do not forget the oceans of incalculable transgressions and the memory of the maimed millions. We are people of this generation, housed now in absurdity and the phosphorescent orbs of radioactive civility. We are people of this generation, standing by obelisks we're not sure make any sense to us now in a sea of so many sanctimonious automobiles. Mark them as the godly idols of our time. We are people of this generation, housed now in, and the black-white haze of centuries of ambiguous certainty. We are people of this generation, sleep, float, remember. We are people of this generation, housed now in absurdity and the windswept deserts of parking lot dystopias. We are people of this generation, standing now on a bluff overlooking the harbor, observe the Lady of Liberty, wonder what oxidized horror she holds beneath the crown. Thus is the spirit of white giant at the reflecting pool, the names in white crawling along the black marble wall."
03:49
My poem is really about the sort of dissatisfaction with American society and the current sort of American political discourse that drove so many young people to the radical political movements of the 1960s. And I think what's so startling today is how relevant many of their concerns and their criticisms of American society are to young people like myself today. And...that was really what my poem was about, was connecting those two generations and those two time periods.
04:26
Well, and the first line of the Port Huron statement is, we are people of this generation, which is such a poignant and powerful statement in and of itself.
09:32
Why was this concept of participatory democracy so radical? What made it so new at this time?
14:31
So how did this relate to the anti-war movement of the movement against the Vietnam War in the United States? Was it a precursor or does the Port Huron statement sort of reflect an early anti-war sentiment?
21:56
How can we inspire young people to think about democracy today? It's something that a lot of young people take for granted or quickly become dissatisfied with. How can we, how can we get young people as excited about democracy as those who wrote the Port Huron statement were?
23:58
Yeah, I definitely think that there are a lot of young people, really talented young people thinking about democracy and issues of our democracy today, but I do think there is a sort of lack of a willingness to think creatively and radically about how we can reshape not just policy but our democratic institutions themselves.
24:21
And I think that's kind of because our educational system has sort of failed to educate us about how our democracy has shifted and changed throughout its history and how often we've relied on the work of young people to change it for the better and to protect our democracy.
Episode 169: Vietnam War Legacies
02:13
It is Hard to Build Utopias.
02:18
It is hard to build utopias when you burn their children in the jungle. It is hard to build utopias when you burn their children in the jungle, and your carpet bombings make whole nations synonymous with tragedy. It is hard to build utopias when you burn their children in the jungle, and your carpet bombings make whole nations synonymous with tragedy, and you shoot your own children smack dab in the middle of their righteousness. It is hard to build utopias when they are already covered in your own rusty tanks and pierced by your own bullets, when they have already realized they don't need to be saved by you, when your own children are blowing up buildings just so you'd turn around and care a little. It is hard to build utopia, let alone democracy, let alone peace.
03:11
My poem is really about the very naive American attitude that we can go anywhere and build the greatest societies out of places that we've already destroyed, and we've already meddled in for long periods of time, and places where things are much more complex than peace and war and democracy and tyranny.
07:22
But there are a lot of people who, especially nowadays, who would argue that American intervention abroad was, if not purely self-interested, was motivated mainly by self-interest. Is that accurate?
16:48
Yeah. So you very clearly and convincingly laid out this idea of the end of ambition and the limits that it places on foreign policy decisions. But how do you square that with the rise in global connections and global awareness among young people and others during this period?
31:07
I certainly do. I think one of the lessons is that these issues are always complex and never just black and white, never easy or impossible. And I think part of the problem, and, I think particularly among young people is that foreign policy issues can seem so black and white and, and, and, and, and so easy, but they're so complex. And, and part of the problem is that. Our political conversations, aren't mature enough, uh, in this country to really be able to, to address those issues appropriately.
Episode 73: Congress and War Powers
01:32
An adaptation of Allen Ginsberg's A Supermarket in California for a Nation on the Brink of War.
01:46
That's correct.
01:51
What thoughts I find of you these days, Frank Church, for we huddled in the bedrooms listening to our radios with a headache, self-conscious, looking at the end of the world. In our nightmarish haze and shopping for semblances, we all crawled into the neon fruit supermarket with you, dreaming of the broken ghost. What nuclear bombs and what assassinations, whole battalions shopping at night, aisles full of shell-shocked soldiers, ghostly Donald Rumsfeld and the avocados, Reagan and the tomatoes, and you, Lyndon Johnson, what were you doing down by the hot dog buns? I saw you, Uncle Sam, disheveled, lonely old optimist, fumbling with the paper towel rolls and eyeing the peanut butter with a blank stare. I heard you asking questions of each, whom did I really kill today? What price for world peace? Are you James Madison? I wandered in and out of the brilliant star-spangled stacks of cans following you, and followed in my imagination by the ghost of Montesquieu and Lafayette.
02:49
We strolled down the open corridors together in our solitary remembrance, tasting empire, possessing every forbidden delicacy, and never passing the eye of the cashier's congressional oversight. Where are we going, you lost Democrat? The doors close in an hour. Which way do your reluctant guns point tonight? Maybe in some future time I will touch the founding document in my pocket and dream of our odyssey in the supermarket and feel absurd. Will we walk through a war among the distant highways and software engineers, the trees add shame to shame, lights out in the houses, awaiting air raid signals that still seem so inevitable? Will we stroll dreaming of the lost democracy we left in a pickle jar behind the old folks' home back to our silent cottage, maybe Lincoln's mausoleum? Ah, dear father, tip your hat, lonely old vagrant, you can lose the false individualism with me. For what America did we truly have when we handed Sharon the coin and we got out on a sinking bank and stood watching the boat disappear on the blackwaters of the Potomac?
04:03
Well, this poem, Supermarket in California, which was written in 1955, in it Ginsberg chases Walt Whitman through a supermarket and he's really critiquing how materialism and commercialism has undermined democracy in his view. And I am critiquing the ways that imperialism and war has undermined democracy in the U.S. today. And I think though they seem very far apart, I think both moments are very similar in the sort of aching for a more perfect union.
16:40
Yeah. How do we get to the current legislation that we're supposed to be operating under the War Powers Act of 1973? How do we get to that? And how does that how is that contributed and played out in the past few decades?
20:09
Yeah. So how have presidents reconciled clandestine operations with the sort of constitutional balance of powers between Congress and the executive? Because like particularly in the Reagan years, we see this giant growth of clandestine operations.
32:53
Yeah, I really think that especially in a moment where weâre very dissatisfied with the trend that our politics are taking. I think Americans are paying much closer attention to what goes on in Congress and what goes on in this amazing legislative body.
33:12
I think also itâs really important to remember that dissent in Congress and in other forums is really important that we need to have these discussions and have these debates. Even wars thatâ that history looks on favorably, they were very vehement debates. Going back all the way to World War I and Bob La Follette in the Senate, I think itâs really important to remember that these debates, these public forums to discuss our countryâs role abroad are very important. I think thatâs something that younger people and all Americans are paying much closer attention to today.
Episode 126: Participatory Democracy from the Sixties to Today
02:28 - 02:29
"Port Huron Revisited."
02:32 - 03:38
"We are people of this generation, housed now in, we are people of this generation, do not forget the oceans of incalculable transgressions and the memory of the maimed millions. We are people of this generation, housed now in absurdity and the phosphorescent orbs of radioactive civility. We are people of this generation, standing by obelisks we're not sure make any sense to us now in a sea of so many sanctimonious automobiles. Mark them as the godly idols of our time. We are people of this generation, housed now in, and the black-white haze of centuries of ambiguous certainty. We are people of this generation, sleep, float, remember. We are people of this generation, housed now in absurdity and the windswept deserts of parking lot dystopias. We are people of this generation, standing now on a bluff overlooking the harbor, observe the Lady of Liberty, wonder what oxidized horror she holds beneath the crown. Thus is the spirit of white giant at the reflecting pool, the names in white crawling along the black marble wall."
03:49 - 04:18
My poem is really about the sort of dissatisfaction with American society and the current sort of American political discourse that drove so many young people to the radical political movements of the 1960s. And I think what's so startling today is how relevant many of their concerns and their criticisms of American society are to young people like myself today. And...that was really what my poem was about, was connecting those two generations and those two time periods.
04:26 - 04:35
Well, and the first line of the Port Huron statement is, we are people of this generation, which is such a poignant and powerful statement in and of itself.
09:32 - 09:42
Why was this concept of participatory democracy so radical? What made it so new at this time?
14:31 - 14:42
So how did this relate to the anti-war movement of the movement against the Vietnam War in the United States? Was it a precursor or does the Port Huron statement sort of reflect an early anti-war sentiment?
21:56 - 22:13
How can we inspire young people to think about democracy today? It's something that a lot of young people take for granted or quickly become dissatisfied with. How can we, how can we get young people as excited about democracy as those who wrote the Port Huron statement were?
23:58 - 24:20
Yeah, I definitely think that there are a lot of young people, really talented young people thinking about democracy and issues of our democracy today, but I do think there is a sort of lack of a willingness to think creatively and radically about how we can reshape not just policy but our democratic institutions themselves.
24:21 - 24:38
And I think that's kind of because our educational system has sort of failed to educate us about how our democracy has shifted and changed throughout its history and how often we've relied on the work of young people to change it for the better and to protect our democracy.
Episode 169: Vietnam War Legacies
02:13 - 02:16
It is Hard to Build Utopias.
02:18 - 03:09
It is hard to build utopias when you burn their children in the jungle. It is hard to build utopias when you burn their children in the jungle, and your carpet bombings make whole nations synonymous with tragedy. It is hard to build utopias when you burn their children in the jungle, and your carpet bombings make whole nations synonymous with tragedy, and you shoot your own children smack dab in the middle of their righteousness. It is hard to build utopias when they are already covered in your own rusty tanks and pierced by your own bullets, when they have already realized they don't need to be saved by you, when your own children are blowing up buildings just so you'd turn around and care a little. It is hard to build utopia, let alone democracy, let alone peace.
03:11 - 03:29
My poem is really about the very naive American attitude that we can go anywhere and build the greatest societies out of places that we've already destroyed, and we've already meddled in for long periods of time, and places where things are much more complex than peace and war and democracy and tyranny.
07:22 - 07:35
But there are a lot of people who, especially nowadays, who would argue that American intervention abroad was, if not purely self-interested, was motivated mainly by self-interest. Is that accurate?
16:48 - 17:07
Yeah. So you very clearly and convincingly laid out this idea of the end of ambition and the limits that it places on foreign policy decisions. But how do you square that with the rise in global connections and global awareness among young people and others during this period?
31:07 - 31:41
I certainly do. I think one of the lessons is that these issues are always complex and never just black and white, never easy or impossible. And I think part of the problem, and, I think particularly among young people is that foreign policy issues can seem so black and white and, and, and, and, and so easy, but they're so complex. And, and part of the problem is that. Our political conversations, aren't mature enough, uh, in this country to really be able to, to address those issues appropriately.
Episode 73: Congress and War Powers
01:32 - 01:37
An adaptation of Allen Ginsberg's A Supermarket in California for a Nation on the Brink of War.
01:46 - 01:47
That's correct.
01:51 - 02:49
What thoughts I find of you these days, Frank Church, for we huddled in the bedrooms listening to our radios with a headache, self-conscious, looking at the end of the world. In our nightmarish haze and shopping for semblances, we all crawled into the neon fruit supermarket with you, dreaming of the broken ghost. What nuclear bombs and what assassinations, whole battalions shopping at night, aisles full of shell-shocked soldiers, ghostly Donald Rumsfeld and the avocados, Reagan and the tomatoes, and you, Lyndon Johnson, what were you doing down by the hot dog buns? I saw you, Uncle Sam, disheveled, lonely old optimist, fumbling with the paper towel rolls and eyeing the peanut butter with a blank stare. I heard you asking questions of each, whom did I really kill today? What price for world peace? Are you James Madison? I wandered in and out of the brilliant star-spangled stacks of cans following you, and followed in my imagination by the ghost of Montesquieu and Lafayette.
02:49 - 03:50
We strolled down the open corridors together in our solitary remembrance, tasting empire, possessing every forbidden delicacy, and never passing the eye of the cashier's congressional oversight. Where are we going, you lost Democrat? The doors close in an hour. Which way do your reluctant guns point tonight? Maybe in some future time I will touch the founding document in my pocket and dream of our odyssey in the supermarket and feel absurd. Will we walk through a war among the distant highways and software engineers, the trees add shame to shame, lights out in the houses, awaiting air raid signals that still seem so inevitable? Will we stroll dreaming of the lost democracy we left in a pickle jar behind the old folks' home back to our silent cottage, maybe Lincoln's mausoleum? Ah, dear father, tip your hat, lonely old vagrant, you can lose the false individualism with me. For what America did we truly have when we handed Sharon the coin and we got out on a sinking bank and stood watching the boat disappear on the blackwaters of the Potomac?
04:03 - 04:37
Well, this poem, Supermarket in California, which was written in 1955, in it Ginsberg chases Walt Whitman through a supermarket and he's really critiquing how materialism and commercialism has undermined democracy in his view. And I am critiquing the ways that imperialism and war has undermined democracy in the U.S. today. And I think though they seem very far apart, I think both moments are very similar in the sort of aching for a more perfect union.
16:40 - 16:50
Yeah. How do we get to the current legislation that we're supposed to be operating under the War Powers Act of 1973? How do we get to that? And how does that how is that contributed and played out in the past few decades?
20:09 - 20:23
Yeah. So how have presidents reconciled clandestine operations with the sort of constitutional balance of powers between Congress and the executive? Because like particularly in the Reagan years, we see this giant growth of clandestine operations.
32:53 - 33:12
Yeah, I really think that especially in a moment where weâre very dissatisfied with the trend that our politics are taking. I think Americans are paying much closer attention to what goes on in Congress and what goes on in this amazing legislative body.
33:12 - 33:44
I think also itâs really important to remember that dissent in Congress and in other forums is really important that we need to have these discussions and have these debates. Even wars thatâ that history looks on favorably, they were very vehement debates. Going back all the way to World War I and Bob La Follette in the Senate, I think itâs really important to remember that these debates, these public forums to discuss our countryâs role abroad are very important. I think thatâs something that younger people and all Americans are paying much closer attention to today.