Where else are they going to learn? It is largely from other poets that one begins to be a poet. You're not going to become a poet through learning prosody. That's certainly true. But through the energizing force of the word. That is essential to one's education. I think every poet begins by simply being enchanted by the sound of words. Like other poets, I remember walking, running rather, through the woods shouting new words that I had learned.
Environment
Sound
00:20:03
Tall, petite. You know, I just loved the sound of that word. And to her it was beautiful. And who knows why, but she thought so.
Environment
Sound
00:22:29
It's usually a phrase, an image. It's a rhythm more than anything else. And I've always felt that poetry begins with sounds rather than with sense. And you ride on that rhythm until your own being takes possession of it. And really, the sound and the sense combine and then you have some sense of where you're going, aside from riding on that rhythm. But, to a large degree, I think the poem is more interested in perpetuating a flow of sound than it is of producing a meaning.
Environment
Sound
00:23:42
Sound comes first, meaning can come later. Do you still, when you write a poem, you speak it, you say it?
Interview with Stanley Kunitz, April 24, 2002
00:00:00 / 00:00:00
00:12:22 - 00:13:27
Where else are they going to learn? It is largely from other poets that one begins to be a poet. You're not going to become a poet through learning prosody. That's certainly true. But through the energizing force of the word. That is essential to one's education. I think every poet begins by simply being enchanted by the sound of words. Like other poets, I remember walking, running rather, through the woods shouting new words that I had learned.
Stanley Kunitz
Transcript
The Poet
Sound
Words
00:20:03 - 00:20:16
Tall, petite. You know, I just loved the sound of that word. And to her it was beautiful. And who knows why, but she thought so.
Stanley Kunitz
Transcript
Sound
Laughter
00:22:29 - 00:23:42
It's usually a phrase, an image. It's a rhythm more than anything else. And I've always felt that poetry begins with sounds rather than with sense. And you ride on that rhythm until your own being takes possession of it. And really, the sound and the sense combine and then you have some sense of where you're going, aside from riding on that rhythm. But, to a large degree, I think the poem is more interested in perpetuating a flow of sound than it is of producing a meaning.
Stanley Kunitz
Transcript
Image
Rhythm
Creative Process
Sound
Poetry
The Poet
00:23:42 - 00:23:50
Sound comes first, meaning can come later. Do you still, when you write a poem, you speak it, you say it?