Interview with Mario Vargas Llosa, 25 February 2002
Environment
Car Sounds
00:33:53
But I don't believe that literature is only entertainment, even a very sophisticated entertainment. No, I think literature is something that transforms itself in behavior, in morals, in attitudes, in a very subtle way through the rivers. But I am convinced that what I am now is something that owes a lot to the great writers I have read. And that without these books and without these readings, I would be a poorer person than I am, more mediocre. My life would be much more restricted.
Environment
Car Sounds
00:38:04
But what Latin Americans are reading until now are more or less the good writers.
Environment
Car Sounds
00:40:14
Oh, well, I can answer with a Borges quotation. Say, when you look yourself at a mirror, you don't know how your face is. You don't know if you are handsome or very ugly. It's very difficult. You don't really know. I would like my books to have the same influence that the great writers that I admire, but I really don't know what my own books are, you know? I don't know. I cannot measure them with the minimal objectivity that I can value, books of others.
Environment
Car Sounds
00:41:01
I, well, as a novelist, what I want is to create a world that can be persuasive by itself, by its language, its mythology, the strength of its characters. When I went to defend certain ideas, cultural or political or social, I write essays or articles and fiction for me is something much more mysterious, something that is not depending on actuality, something that in my case always came from very deep images.
Environment
Car Sounds
00:51:56
And he went to look for this and looking for more primitive cultures. And as he didn't find it, he invented it in his paintings.
Environment
Car Sounds
01:01:02
Well, Trujillo was there. And Balaguer, in a very well-written piece, said, well, did the the Dominican Republic has survived? 400 years of catastrophes, of invasions, of civil wars, of hurricanes, earthquakes.
Interview with Stanley Kunitz, 24 April 2002
Environment
Car Sounds
00:05:46
Started small. It started with a meeting of all the available poets in the community in which we talked about it, what we hoped it would accomplish. And we had a money raising campaign. Got some pledges. Not a great fortune, but enough to start. And it's been rather fantastic since then in its operation and in its effectiveness. It has become really a national--I hate to think of it as an organization or an institution--but it is a communication center as far as...and a way to keep insisting that this country needs poetry and that it is an expression of our culture.
Environment
Car Sounds
00:36:31
I think it was the editorial handling of the poem that surprised me more than anything else. Not so much that the review was strange. It wasn't. It was obviously a very positive review.
Interview with Mario Vargas Llosa, February 25, 2002
00:00:00 / 00:00:00
00:33:53 - 00:34:53
But I don't believe that literature is only entertainment, even a very sophisticated entertainment. No, I think literature is something that transforms itself in behavior, in morals, in attitudes, in a very subtle way through the rivers. But I am convinced that what I am now is something that owes a lot to the great writers I have read. And that without these books and without these readings, I would be a poorer person than I am, more mediocre. My life would be much more restricted.
Mario Vargas Llosa
Transcript
Literary Impact
Car Sounds
00:38:04 - 00:38:10
But what Latin Americans are reading until now are more or less the good writers.
Mario Vargas Llosa
Transcript
Society
Reading
Car Sounds
00:40:14 - 00:40:57
Oh, well, I can answer with a Borges quotation. Say, when you look yourself at a mirror, you don't know how your face is. You don't know if you are handsome or very ugly. It's very difficult. You don't really know. I would like my books to have the same influence that the great writers that I admire, but I really don't know what my own books are, you know? I don't know. I cannot measure them with the minimal objectivity that I can value, books of others.
Mario Vargas Llosa
Transcript
Criticism
Laughter
Car Sounds
00:41:01 - 00:42:07
I, well, as a novelist, what I want is to create a world that can be persuasive by itself, by its language, its mythology, the strength of its characters. When I went to defend certain ideas, cultural or political or social, I write essays or articles and fiction for me is something much more mysterious, something that is not depending on actuality, something that in my case always came from very deep images.
Mario Vargas Llosa
Transcript
Creative Process
Car Sounds
00:51:56 - 00:52:09
And he went to look for this and looking for more primitive cultures. And as he didn't find it, he invented it in his paintings.
Mario Vargas Llosa
Transcript
The Way to Paradise
Characters
Creative Process
Car Sounds
01:01:02 - 01:01:25
Well, Trujillo was there. And Balaguer, in a very well-written piece, said, well, did the the Dominican Republic has survived? 400 years of catastrophes, of invasions, of civil wars, of hurricanes, earthquakes.
Mario Vargas Llosa
Transcript
Historical Context
Joaquín Balaguer
Rafael Trujillo
Characters
Car Sounds
Interview with Stanley Kunitz, April 24, 2002
00:00:00 / 00:00:00
00:05:46 - 00:07:23
Started small. It started with a meeting of all the available poets in the community in which we talked about it, what we hoped it would accomplish. And we had a money raising campaign. Got some pledges. Not a great fortune, but enough to start. And it's been rather fantastic since then in its operation and in its effectiveness. It has become really a national--I hate to think of it as an organization or an institution--but it is a communication center as far as...and a way to keep insisting that this country needs poetry and that it is an expression of our culture.
Stanley Kunitz
Transcript
American Culture
Car Sounds
00:36:31 - 00:36:51
I think it was the editorial handling of the poem that surprised me more than anything else. Not so much that the review was strange. It wasn't. It was obviously a very positive review.