Annotating Camille (1921)

Camille (1921)

Camille (1921)

Annotations

00:02 - 00:13

Metro presents Nazimova in a modernized version of Camille By Alexandre Dumas, fils. Copyright 1921 by Metro Pictures Corporations Controlled by Loew Incorporated

Opening titles

00:14 - 00:19

Directed by Ray C. Smallwood

Opening titles

00:21 - 00:27

Written for the screen by June Mathis

Opening titles

00:30 - 00:34

Art Director Natasha Rambova PhotoGaston Rieuxaphed by R. J. Berquist member A.S.C.

Opening titles

00:35 - 00:44

A Nazimova Production Released through Metro Pictures Corporation Passed by the National Board of Review

Opening titles

00:47 - 01:07

CAST

Opening titles

01:11 - 01:25

Camille! What a magic conjuring of players who have portrayed Dumas' immortal "Daughter of Chance." And with them comes to mind the thought of basque and crinoline.

Intertitles

01:27 - 01:37

But why not a Camille of today? Living the same story in this generation?

Intertitles

01:39 - 01:52

Winter. Paris, magic city of pleasure, yet beneath its tinseled gaiety throbbing with life's Gaston Rieuxim note of passion and tragedy.

Intertitles

01:54 - 02:01

Iris transition

Effects

02:07 - 02:16

It was all new to Armand Duval who had just come from the provinces. ...Rudolph Valentino

Intertitles

02:20 - 02:27

But his boyhood friend, Gaston Rieux, had Gaston Rieux own blasé. ...Rex Cherryman

Intertitles

02:32 - 02:42

Alla Nazimova's entrance

Comments

02:42 - 02:53

The Lady with the Camellias. She was a useless ornament--a plaything--a bird of passage--a momentary aurora. Marguerite Gautier, Nazimova

Intertitles

03:10 - 03:22

Gaston Rieux: "There is 'the Lady with the Camellias' with the Count de VaRudolph Valentinoille. She is evidently playing for higher stakes. The old Duke is getting his congé."

Dialogue

03:47 - 03:49

Rudolph Valentino: "You really know her, Gaston?"

Dialogue

03:52 - 03:55

Gaston Rieux: Would you like to meet her?

Dialogue

04:23 - 04:27

Gaston Rieux: "Permit me to introduce a fellow law student."

Dialogue

04:36 - 04:39

Alla Nazimova: "A law student? He'd do better to study love!"

Dialogue

04:51 - 05:01

A view of Rambova's full opening set

Comments

05:07 - 05:15

Prudence was a sponger on her younger and more successful sisters. ...Zeffie Tilbury

Intertitles

05:17 - 05:19

Gaston, take me home!

Dialogue

05:29 - 05:34

Marguerite is giving a supper party--let's drop in and surprise her!

Dialogue

06:14 - 06:17

Iris transition

Effects

06:33 - 06:45

Full view of Rambova set 2

Comments

06:53 - 06:56

Alla Nazimova: "Not until you put a jewel in my hand."

Dialogue

07:20 - 07:28

Nazimova close up, tone shift when Marguerite is alone

Comments

07:43 - 07:51

Madame, you are ill! You should not have gone out--send them away and call the doctor.

Dialogue

07:57 - 08:03

Alla Nazimova: "What does it matter, Nanine? Who is there to care whether I live or not?"

Dialogue

08:23 - 08:29

Nazimova mirror med shot

Comments

09:16 - 09:20

Poor boy--he is mad about you!

Dialogue

09:26 - 09:30

Nazimova close up

Comments

09:30 - 09:34

Alla Nazimova: "Not until you put a jewel in my hand."

Dialogue

10:16 - 10:24

Alla Nazimova: "Let us drink to the Count whose wine we spill-- Who never objects to footing the bill--"

Dialogue

10:31 - 10:36

Alla Nazimova: "Who is very persistent in his attentions-- Yet never conceals his-- intentions!"

Dialogue

10:45 - 10:50

Valentino close up

Comments

11:17 - 11:28

Alla Nazimova: "A simple little girl from Bordeaux: Hair, eyes and feet--just so! /Modest little ways--dear little Clo! /The simple little girl from Bordeaux."

Dialogue

11:32 - 11:34

Valentino close up

Comments

11:51 - 12:03

Alla Nazimova: Here just a year--everyone's dear!/ Motors, jewels, clothes--oh! ho!/ Are her eyes and feet--just so?/ Naughty little Clo--Clo from Bordeaux!"

Dialogue

12:34 - 12:38

Lesbian subtext, same sex kiss with Marguerite and Nichette

Comments

12:44 - 12:51

Oh, it is only Nichette! She used to work in the dressmaking shop with Marguerite.

Dialogue

12:54 - 12:56

Marguerite and Nichette

Comments

13:03 - 13:55

Marguerite and Nichette, second kiss and subtext

Comments

13:17 - 13:22

Alla Nazimova: "Take your hands off--she is too good for you!"

Dialogue

14:08 - 14:11

Marguerite/Nichette third & fourth kiss

Comments

15:37 - 15:39

Rudolph Valentino: "She is ill!"

Dialogue

15:41 - 15:51

She is always ill! Just when we are enjoying ourselves, on comes that cough and our fun is spoiled!

Dialogue

16:18 - 16:22

Rudolph Valentino: "You are ill! Let me send for the doctor!"

Dialogue

16:32 - 16:36

Alla Nazimova: "It is nothing--see how the others concern themselves!"

Dialogue

16:46 - 16:52

Rudolph Valentino: "You are different! This life is unworthy of you--it is killing you!"

Dialogue

17:09 - 17:16

Alla Nazimova: "You know who--what I am? Go home--forget that we have ever met."

Dialogue

17:23 - 17:33

Rudolph Valentino: "I wish I were a relative--your seRudolph Valentinoant--a dog--that I might care for you--nurse you--make you well!"

Dialogue

17:44 - 17:51

Alla Nazimova: "My life is not for long and short as it may be, it would outlive your love."

Dialogue

17:56 - 18:07

Rudolph Valentino: "This is no foolish fancy! Give me a chance to prove my devotion! Since I saw you this evening, nothing else seems to matter!"

Dialogue

18:43 - 18:54

Alla Nazimova: "My symbol, Armand--a camellia. Cherished, its beauty will excel the loveliest flower, but wound it with the slightest touch and it will die."

Dialogue

20:10 - 20:14

Alla Nazimova: "Go! Go and take your sponging pack with you!"

Dialogue

20:30 - 20:33

Leave her alone--she's drunk!

Dialogue

21:33 - 21:37

Iris transition

Effects

21:39 - 21:50

Spring. Away from the old life, Armand's tender care proved that love is the Gaston Rieuxeatest doctor.

Intertitles

21:52 - 21:56

Off center iris transition

22:11 - 22:14

Interesting vignette of bell tower

Effects

22:34 - 22:36

Manon Lescaut

Book cover

22:58 - 23:05

Manon a Marguerite, humilite, Armand Duval / Manon to Marguerite, humility, Armand Duval

Inscription and translation

23:31 - 23:42

Rudolph Valentino, reading: And so Marguerite heard the story of Manon Lescaut, child of passion, exiled to the New World with the scum of Paris--

Intertitles

23:45 - 23:47

Dissolve (to images from the story)

Effects

24:01 - 24:09

#NAME?

Intertitles

24:28 - 24:29

Dissolve

Effects

24:38 - 24:44

Over Marguerite fell the shadow of a vague presentiment. She was Manon and Armand was--

Intertitles

24:49 - 24:52

Dissolve back to story

Effects

25:06 - 25:11

Alla Nazimova as Manon: "Why follow me, beloved? I am now the lowest of the low."

Dialogue

25:18 - 25:26

Rudolph Valentino: "I will gladly lay my honor at thy feet and follow the to the end of the world."

Dialogue

25:44 - 25:46

Valentino kisses sword

Comments

26:02 - 26:03

Dissolve

Effects

26:19 - 26:25

Alla Nazimova: "I could never chain you to my past, Armand--drag you down--never!"

Dialogue

26:39 - 26:45

Nichette is back and Marguerite kisses her on the mouth Again

Comments

26:57 - 27:06

Nichette has made me go to work. As soon as I can earn enough money, we will be married.

Dialogue

27:13 - 27:18

Nichette: "You will wear one some day." [Alla Nazimova, mouthing: "Me?"]

Dialogue

27:26 - 27:28

Light damage to the film print here

Damage

27:30 - 27:32

Huge tear/nitrate decay

Damage

27:32 - 27:55

Interesting snow effect begins

Effect

27:35 - 27:36

Book titled: Manon lescaut

Transcription

27:46 - 27:49

Alla Nazimova: "No, no--not that!"

28:00 - 28:04

Iris transition

Effects

28:06 - 28:13

Summer. Secrets--schemes--sacrifices for future happiness.

Intertitles

28:14 - 28:17

Iris transition

Effects

28:28 - 28:35

PD: "Everything you possess is listed on this bill of sale. All it needs is your signature."

Dialogue

28:48 - 28:53

PD: "Does Armand know?" [Alla Nazimova, mouthing: "No, no"]

Dialogue

29:30 - 29:33

Flowers with card labeled "Comte de Va Rudolph Valentinoille"

Transcription

29:45 - 29:32

Comte de Varville

Transcription

29:55 - 30:01

Alla Nazimova: "Take them back to Paris, Prudence! They have no place in this house!"

Dialogue

30:05 - 30:12

PD: "Don't be a fool, Marguerite! You are sacrificing everything when the Count offers you luxury."

Dialogue

30:38 - 30:50

I Marguerite Gautier hereby authorize Prudence Duvernay to sell the following items...

Transcription

31:49 - 31:54

You are Marguerite Gautier? I am Armand Duval's father.

Dialogue

32:07 - 32:10

Alla Nazimova: "I--I am Marguerite Gautier."

Dialogue

32:44 - 32:58

I find that my son is about to make over his mother's legacy to you. Why rob him of his inheritance when there are so many rich men in Paris?

Dialogue

33:01 - 33:08

Alla Nazimova: "I do not know what you mean! I would not accept a penny from your son!"

Dialogue

33:15 - 33:23

Alla Nazimova: "I am selling all I possess--there is no need for anxiety--I would do anything for Armand."

Dialogue

33:38 - 33:48

Then I ask you to give him up. I appeal to you as a father who seeks the happiness of both his children.

Dialogue

33:51 - 33:55

I have a daughter who is engaged to be married--

Dialogue

33:58 - 34:01

Fade out/fade in (signals flashback)

Effects

34:10 - 34:25

There has never been a scandal in our family. It will be impossible for me to marry your daughter, unless Armand's name is no longer linked with 'the Lady with the Camellias'!

Dialogue

34:52 - 34:54

Fade out/fade in

Effects

34:58 - 35:04

Her life is just beginning--my daughter's happiness is in your hands.

Dialogue

35:30 - 35:35

Alla Nazimova: "I will go away until Armand's sister is married."

Dialogue

35:41 - 35:44

That is not enough!

Dialogue

36:09 - 36:19

Alla Nazimova: "Do not ask me to give him up forever! He is my very life--I have not long to live!"

Dialogue

36:49 - 36:54

There is no future for your love--you must give him up!

Dialogue

37:03 - 37:09

Do not remind me of my past! I want to forget it!

Dialogue

37:33 - 37:42

You cannot--you are chained to your past! Would you drag the man you love down into the mire?

Dialogue

37:56 - 37:59

Fade out/in (back to the story Manon from earlier)

Effects

38:05 - 38:08

Fade out/in

Effects

38:16 - 38:19

Letter "Comte de VaRudolph Valentinoille"

Transcription

38:37 - 38:45

Alla Nazimova: "You are right! I must make him hate me! He must never want to see me again!"

Dialogue

39:43 - 39:57

Note from Marguerite and translation - "Notre petite escapade est finie, Armand, je retoirne a Paris. Rentres chez toi et oublis. Marguerite / Our little escapade is over, Armand, I am returning to Paris-- Go home and forget! Marguerite

Transcription

41:42 - 41:45

Close up on camellias

Effects

42:18 - 42:22

Iris out

Effects

42:24 - 42:30

At nightfall, Marguerite left for Paris.

Intertitles

44:18 - 44:24

Marguerite's note - Our little escapade is over, Armand, I am returning to Paris-- Go home and forget! Marguerite

Transcription

45:10 - 45:14

Iris out

Effects

45:16 - 45:24

Autumn. The Hazard d'Or, the smartest gaming place in Paris.

Intertitles

45:24 - 45:29

Iris in to another Rambova set

Effects

45:50 - 46:02

Paris boasted a new Daughter of Chance, whose golden beauty bade fair to rival "the Lady with the Camellias:. Olympe ...Consuelo Flowerton

Intertitles

46:21 - 46:31

He is only doing it so that Marguerite will hear of it! He has been like a madman for the past month.

Dialogue

47:07 - 47:10

And Marguerite! Suppers--parties--she is drugging herself with excitement! She will kill herself! 00;46;37;03 00;46;44;04 00;00;07;00 Comment Dialogue Look at your broken-hearted lover!"

Dialogue

47:57 - 48:03

Alla Nazimova: "So we have both drifted back to the old life, Gaston!"

Dialogue

48:10 - 48:19

I am here only to watch Armand. Nichette and I are to be married on the last day of the year.

Dialogue

49:03 - 49:05

Nazimova and Spider web set

Effects

49:13 - 49:21

Rudolph Valentino: "If chance could be bought with gold--like a woman--you might be the winner, my dear Count!"

Dialogue

49:33 - 49:41

It is usually the provincial upstart who wins for the first time--and boasts of his luck!

Dialogue

50:11 - 50:14

You have broken the bank!

Dialogue

50:47 - 50:49

Valentino in spider web set

Effects

51:27 - 51:32

Alla Nazimova: "Why are you here Armand? I hoped you would leave Paris!"

Dialogue

51:46 - 51:49

Rudolph Valentino: "I will--if you go with me!"

Dialogue

52:03 - 52:10

Fade out/in out/in

Effects

52:11 - 52:14

Alla Nazimova: "I must not! I promised--I promised!"

Dialogue

52:18 - 52:22

Rudolph Valentino: "You promised? The Count de VaRudolph Valentinoille?"

Dialogue

52:30 - 52:35

Rudolph Valentino: "Say that you love him and I will leave Paris forever!"

Dialogue

52:59 - 53:03

Alla Nazimova: "I love--the Count de VaRudolph Valentinoille."

Dialogue

53:47 - 53:52

Rudolph Valentino: "You see that woman? Do you know what she has done?"

Dialogue

53:57 - 54:10

Rudolph Valentino: "Listen--all of you! I loved her more than life itself--but I was poor and could not pay! Her love was for sale--she left me!

Dialogue

54:33 - 54:39

Rudolph Valentino: "Bear witness that I pay her now--that I owe her nothing!"

Dialogue

55:05 - 55:06

Light leak damage, from projector?

Damage

55:33 - 55:37

Rudolph Valentino: "I am through with you--and Paris, forever!"

Dialogue

56:40 - 56:44

Iris

Effects

56:46 - 56:53

Winter. With the last day of the dying year.

Dialogue

56:55 - 56:59

Iris

Effects

57:52 - 57:56

Bell vignette

Effects

58:01 - 58:08

Alla Nazimova: "It is the last day of December--the wedding day of Gaston and Nichette."

Dialogue

58:15 - 58:20

Alla Nazimova: "And to think that I am too ill to be there!"

Dialogue

58:28 - 58:29

Possible projector damage

Damage

59:02 - 59:04

She is very ill.

Dialogue

59:10 - 59:17

The court has ordered an immediate auction to satisfy the demands of creditors.

Dialogue

1:00:00 - 1:00:06

Alla Nazimova: "I know they have come--what does it matter? It is the end."

Dialogue

1:00:31 - 1:00:35

Marguerite's letter in French - "Tout ce que je possede doit etre vendu pour payer mes creamciers, a l'exeption d'un volume de Manor Lescaut. C'est le seul cadeau que j'ai recu d'Armand. Donney le lui, et quand je ne serai plus dites lui combieu je l'aimac Marguerite Gautier

Transcription

1:00:36 - 1:00:54

the letter in English - "All my possesions are to be sold to pay my creditors, with the exception of a volume of Manon Lescaut-- the only gift I ever recieved from Armand. When I am gone, give it to him--and tell him how much I loved him. Marguerite Gautier

Transcription

1:02:24 - 1:02:27

Your jewels, Madame?

Dialogue

1:02:34 - 1:02:38

Alla Nazimova: "It is the most precious thing I possess!"

Dialogue

1:02:46 - 1:02:47

Light damage

Damage

1:03:04 - 1:03:06

Book cover - Manon Lescaut

Transcription

1:03:55 - 1:04:04

Inscription - "Marguerite a Armand, Amour" / Translation "Marguerite to Armand, Love"

Transcription

1:04:07 - 1:04:08

Light damage

1:04:53 - 1:04:56

Bell vignette and dissolve to flashback

Effects

1:06:16 - 1:06:19

She is in delirium.

Dialogue

1:06:30 - 1:06:33

Blur effect to indicate Marguerite's health decline/"delirium"

Effects

1:06:37 - 1:06:40

Gaston and Nichette slowly come into focus

Effects

1:06:59 - 1:07:07

Alla Nazimova: "Do not weep, Gaston, the world will lose nothing. I was a useless ornament--a plaything--a momentary aurora."

Dialogue

1:07:30 - 1:07:31

Alla Nazimova: "Armand."

Dialogue

1:07:59 - 1:08:01

Slow dissolve to flashback

Effects

1:08:19 - 1:08:28

Armand and Marguerite memory slowly blurs and dissolves back to present

Effects

1:08:41 - 1:08:42

Mold or mildew on film stock

Damage

1:08:52 - 1:08:56

Alla Nazimova: "Let me sleep--let me dream--I am happy."

Dialogue

1:09:18 - 1:09:24

Slow Iris in

Effects

1:09:25 - 1:09:30

THE END.

Intertitles

Project By: J. Reinschmidt (author), Leiah Bodden (editor)
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