Suspense Film
00:02:19
Here the director uses a three-way-split-screen with the husband, the wife, and the tramp. This cinematographic decision can only be perceived as revolutionary for a period which was conquered by the traditional and stagnant reliance on static LS proscenium style of shooting.
00:05:02
the director returns to using the unique three-way-split.
00:05:39
Long Shot proscenium style shot
The Lonely Villa Film
00:00:40
The decision of cinematography here of a Long shot in proscenium style shooting, creating a lack of innovativeness.
00:01:36
This is the scene entering the house, the camera remains stagnant, where as Weber using a combination of over-head shots and a more dynamic editing and cinematographic style.
00:01:51
The tramp enters the house, but the shot reminds the audience more of a theatrical performance, rather than a film. The camera remains the same for 2 minutes.
00:07:57
In contrast with Suspense, which uses a three-way-split-screen with the tramp, the wife, and the husband, in Lonely Villa, there is a simple transtition of two shots.
Film
00:02:19 - 00:02:31
Here the director uses a three-way-split-screen with the husband, the wife, and the tramp. This cinematographic decision can only be perceived as revolutionary for a period which was conquered by the traditional and stagnant reliance on static LS proscenium style of shooting.
00:05:02 - 00:05:37
the director returns to using the unique three-way-split.
00:05:39 - 00:06:06
Long Shot proscenium style shot
Film 2
00:00:40 - 00:00:56
The decision of cinematography here of a Long shot in proscenium style shooting, creating a lack of innovativeness.
00:01:36 - 00:01:51
This is the scene entering the house, the camera remains stagnant, where as Weber using a combination of over-head shots and a more dynamic editing and cinematographic style.
00:01:51 - 00:03:52
The tramp enters the house, but the shot reminds the audience more of a theatrical performance, rather than a film. The camera remains the same for 2 minutes.
00:07:57 - 00:08:18
In contrast with Suspense, which uses a three-way-split-screen with the tramp, the wife, and the husband, in Lonely Villa, there is a simple transtition of two shots.
